Dutch
singer Mathilde Santing
(born Mathilde Eleveld) has
enjoyed an unconventional
career trajectory that has
taken her from the confines
of indie rock through
jazz-based interpretations
of other people's songs to
mainstream musical theater
work. She is perhaps best
known for her coolly
dispassionate takes on the
work of singer/songwriters
who are rarely covered by
female singers, such as
Todd
Rundgren,
Tom
Waits,
John
Cale,
and — most notably —
Randy
Newman,
who once described her 1993
album
Texas
Girl and Pretty Boy
as "some of the very best
recordings I know of my
work." In a career dating
back to 1982, she has been
showered with awards by the
European music industry.
Openly lesbian, she once
recorded a version of the
Jimi
Hendrix
classic, retitled "Hey
Joan."
Born
in 1958 in Amstelveen near
Amsterdam, Santing spent the
years 1972-1981 performing
as a solo artist and with a
band. In particular she
performed as backing
vocalist for the highly
regarded Amsterdam outfit
the
Tapes.
Her first solo recording was
a 1982 mini-album composed
of standards; it was
released in two versions —
one with seven tracks, one
with nine. Shortly
thereafter, she played as a
supporting act to
Newman
during his visit to Holland.
Though her mini-album
eventually went gold,
Santing opted for a very
different approach for its
follow-up,
Water
Under the Bridge.
Gone were the evergreens,
replaced by a delicately
flavored album of originals,
mostly written in
collaboration with
bandmembers
Ralf
Hermsen
and
Dennis
Duchhart.
For many, this remains
Santing's towering
achievement, yet the
singer's next album,
Out of
This Dream
in 1986, contained a mixture
of covers and originals, and
since then she has all but
abandoned composition.
In
1997 she made her musical
theater debut in the stage
production Joe: The Musical,
and in 1999 seemed to make
the ultimate concession to
mainstream showbiz when she
played two shows as
supporting act to
Shirley Bassey.
That same year she had a hit
record with a cover version
of the
Black
song "Wonderful Life." In
2003 she toured with a
Dutch-language cabaret-style
show called The Nine Lives
of Mathilde Santing, which
contained many
autobiographical elements,
and the following year she
was among a number of Dutch
artists who contributed to
"Song for Beslan," a benefit
single for the victims of
the terrorist attack on a
Russian school. Later that
same year she gave a master
class on Dutch television in
a show that included a
number of ex-soap stars. In
2005 she was also one of the
Dutch vocalists who recorded
a benefit single for victims
of the Asian tsunami.
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